Reading List

Baetens, Jan, Alexander Streitberger, and Hilde van Gelder. Time And Photography. Leuven: Leuven University Press, 2010.

Barth, Rachel Anne. Photographing the “Phantoms of the Living”: the Fotodinamismo Futurista of Anton Giulio and Arturo Bragaglia, 1911-1913. MA Thesis. University of Oregon, 2013. Web. 27 Feb 2016.

Boeri, Stefano. “On Some Paradoxes in the Relationship between Photography and the Contemporary City.” Post Ex Sub Dis: Urban Fragmentations and Constructions. Ed. The Ghent Urban Studies Team. 010 Publishers: Rotterdam, 2002. 96-99.

Braun, Marta, and Etienne-Jules Marey. Picturing Time. Chicago: University of Chicago Press, 1992.

Bragaglia, Anton Giulio. “Futurist Photodynamism”. Documents of 20th Century Art: Futurist Manifestos. Brain, Robert, R.W. Flint, J.C. Higgitt, and Caroline Tisdall, trans. New York: Viking Press, 1973. 38-45.

Bragaglia, Anton Giulio. “Futurist Photodynamism (1911)”. Lawrence Rainey, trans. Modernism 15.2 (2008): 363-379.

Campanelli, Vito. “Technological Unconscious – Streaming Egos – Digitale Identitäten”. Blog.goethe.de. N.p., 2016. Web. 17 January. 2016.

Campany, David, Ed. Art and Photography. London New York: Phaidon, 2003. 14-45.

Carey, Sarah. “From fotodinamismo to fotomontaggio: The Legacy of Futurism’s Photography”. Carte Italiane, 2.6 (2010): 221-227.

Coburn, Alvin Langdon. “The Future of Pictorial Photography”. The Edge of Vision: The Rise of Abstraction in Photography. New York: Aperture, 2009.

Danchev, Alex. 100 Artists’ Manifestos. London: Penguin, 2011.

Debuysere, Stoffel. “As Time Goes By | Diagonal Thoughts”. Diagonalthoughts.com. N.p., 2008. Web. April 2015.

Drucker, Johanna. “Temporal Photography.” Philosophy of Photography 1.1 (2010): 22-28.

Elkins, James. What Photography Is. New York: Routledge, 2011.

Flusser, Vilém. Towards The Philosophy Of Photography. London: Reaktion Books, 1983.

Flusser, Vilém, Mark Poster, and Nancy Ann Roth. Into The Universe Of Technical Images. Minneapolis: University of Minnesota Press, 2011.

Fogle, Douglas. The Last Picture Show : Artists Using Photography, 1960-1982. Minneapolis: Walker Art Center, 2003.

Green, David, Ed. Where is the Photograph?. Maidstone Brighton: Photoworks / Photoforum, 2003.

Green, David, and Joanna Lowry. Stillness And Time. Brighton: Photoworks / Photoforum, 2006.

Heckert, Virginia, Marc Harnly, and Sarah Freeman. Light, Paper, Process.

Higgins, Jackie. Why It Does Not Have To Be In Focus.

Holsing, Henrike, and Gottfried Jäger. Lichtbild Und Datenbild. Berlin: Kehrer Verlag, 2015.

Horak, Ruth Ed. Rethinking photography I + II Narration und neue Reduktion in der Fotografie. Salzburg, 2003.

Illies, Florian. 1913. London, The Clerkenwell Press. 2014.

Kasten, Barbara. “Second Nature: Abstract Photography Then And Now | Barbara Kasten”. Barbarakasten.net. N.p., 2016. Web. 27 Feb. 2016.

Koepnick, Lutz P. On Slowness. New York: Columbia University Press, 2014

Korzybski, Alfred. “Science and Sanity. an Introduction to Non-aristotelian Systems and General Semantics”. Web. May 2012.

Lauter, Marlene, and Beate Reese. Konkrete Kunst In Europa Nach 1945. Ostfildern: Hatje Cantz, 2002.

Levin, Golan. “An Informal Catalogue Of Slit-Scan Video Artworks And Research – Golan Levin And Collaborators”. Flong.com. N.p., 2016. Web. 6 March 2015.

Lippard, Lucy R. Six Years: The Dematerialization Of The Art Object From 1966 To 1972. New York: Praeger, 1973.

Lista, Giovanni. Futurism. New York: Universe Books, 1986.

Lista, Giovanni. Futurism & Photography. London: Merrell, 2001.

Lista, Giovanni. “Futurist Photography”. Art Journal 41.4 (1981): 358-364. Web.

Maynard, Patrick. The Engine Of Visualization. Ithaca, N.Y.: Cornell University Press, 1997.

Minghelli, Giuliana. “Eternal Speed/Omnipresent Immobility: Futurism and Photography.” Stillness in Motion: Italy, Photography, and the Meanings of Modernity. Toronto: University of Toronto Press, Scholarly Publishing Division. 2014.

Norvell, Patricia. Recording Conceptual art : Early Interviews With Barry, Huebler, Kaltenbach, LeWitt, Morris, Oppenheim, Siegelaub, Smithson, Weiner. Berkeley: University of California Press, 2001.

O’Rourke, Karen. Walking And Mapping.

Paglen, Trevor. “Experimental Geography: From Cultural Production to the Production of Space.” Experimental geography. Brooklyn, N.Y. New York: Melville House Independent Curators International, 2008.

Rexer, Lyle. The Edge of Vision: The Rise of Abstraction in Photography. New York: Aperture, 2009.

Sacks, Oliver. The Mind’s Eye. New York: Alfred A. Knopf, 2010.

Schmid, Joachim, Gordon MacDonald, and John S Weber. Joachim Schmid Photoworks, 1982-2007. Göttingen: Steidl, 2007.

Schwendener, Martha. “Vilém Flusser’s Theories of Photography and Technical Images in a U.S. Art Historical Context”. Flusser Studies 18 (2014).

Shore, Robert. Post-Photography: The Artist with a Camera. 2014.

Skudžinskas, Gytis. Some Thesis on Photography. NoRoutineBooks, 2015.

Tillmans, Wolfgang, Sophie O’Brien, and Melissa Larner. Wolfgang Tillmans. London: Koenig Books, 2010.

Tisdall, Caroline, and Angelo Bozzolla. Futurism. New York: Oxford University Press, 1978.

Van Winkel, Camiel. During the exhibition the gallery will be closed. Contemporary art and the paradoxes of Conceptualism. Amsterdam: Valiz, 2011.

Vanvolsem, Maarten. The Art Of Strip Photography. Leuven, Belgium: Leuven University Press, 2011.

Varnedoe, Kirk. Pictures Of Nothing. Princeton, NJ: Princeton University Press, 2006.

Wesely, Michael, and Sarah Meister Hermanson. Open Shutter. New York: Museum of Modern Art, 2004.

Westgeest, Helen, and Thomas E Crow. Take Place. Amsterdam: Valiz, 2009.